Delia Beatriz (aka Debit) is a musician who crosses borders: She was born in Mexico and grew up in Texas. She’s a dance music DJ, but her latest album, The Long Count, uses machine learning algorithms to process the sounds of Mayan instruments. She has a Masters in Music Technology from Columbia University, but she’s […]
Witching Hour
Just Announced: LV and the Englert present a new Witching Hour series
Little Village is thrilled to announce this year’s Witching Hour Series, a joint presentation with the Englert. In past years, Witching Hour has been a weekend festival. For 2022, individual events spanning from late September to the end of October will all bear the Witching Hour name. They will remain focused on the ongoing Witching […]
Witching Hour hosting virtual fest featuring Danez Smith, Stacey Walker, Black Belt Eagle Scout and more
The arrival of COVID-19 in Iowa on March 8 spelled disaster for the 2020 Mission Creek Festival, which was set to take place in downtown Iowa City April 1-4. But the Englert Theatre had time to adapt their other annual festival, Witching Hour, for a pandemic world. The 2020 Witching Hour Festival, presented by the […]
Exploring Witching Hour’s can’t-miss events: Music
As a fan of jazz — and especially of Nina Simone’s hauntingly beautiful songs — I am interested in seeing reputable artists do justice to her music. Putting that together with Counterfeit Madison becomes a dream come true.
Exploring Witching Hour’s can’t-miss events: Readings
Crucet’s work promises to illuminate the struggle of belonging, the power of paying attention and the necessity of beauty and art in portraying problems. I want to hear how a narrative about something I wrestle with is understood by someone from a very different life experience.
Exploring Witching Hour’s can’t-miss events: Workshops
Creative Tools for the Apocalypse: Workshop Merge — Saturday, Nov. 2 at 1 p.m. In this series, local arts critic (and Witching Hour participant) Daniel Boscaljon provides a guide to his choices for the most thought-provoking parts of the 2019 Witching Hour Festival. Monday: Talks and resentations; Tuesday: Theater, film and performance. Today: Workshops Narrowly […]
Exploring Witching Hour’s can’t-miss events: Theater, film, performance
Composer Rachel Grimes’ folk opera/film amalgam epitomizes the sort of critical and creative engagement that that invites Witching Hour audiences to life-changing, mind-bending beauty.
Early bird tickets on sale now for Witching Hour 2019
Witching Hour Various venues — Friday and Saturday, Nov. 1-2 Curiosity piqued? It should be! That’s just one of the services the Witching Hour Festival has to offer. Now in its fifth year, Iowa City’s exploration of the unknown, celebration of the creative process and premiere opportunity to experience new work is offering early bird […]
What to look forward to at Witching Hour 2018
Now in its fourth year, Witching Hour, the festival dedicated to exploring the unknown and engaging the imagination, returns this year on October 12 and 13, 2018.
Guns, fascism, infighting and couch-surfing: Researcher Serena Tarr recounts a year studying the alt-right
On March 4, 2018, after following around Richard Spencer and his alt-right entourage for months, Serena Tarr found herself in Michigan for the Foundation for the Marketplace of Ideas conference, organized by Kyle Bristow, the white nationalist attorney who used to sue colleges that rejected requests for Spencer to speak. But due to public pressure and possibly death threats, Bristow backed out at the last minute, and the “conference” was relocated to a house in Ann Arbor. Tarr followed.
Puddles Pity Party — the golden-voiced, vegan, Kevin Costner-lovin’ clown — will headline Witching Hour
Puddles Pity Party, the enigmatic, reticent 6’8” clown best known for his cover of Lorde’s “Royals” and his appearance on America’s Got Talent (season 12), recently offered a rare interview for Little Village. Puddles explains that he is taciturn because there is “too much talking in the world today.” “I always seem to say the wrong thing anyway,” he wrote. “I notice the less I talk, the more I hear.”
Richard Hell’s New York City
Richard Meyers landed on New York City’s Lower East Side in late 1966. Within a few years he had reinvented himself as Richard Hell and transitioned from poetry to punk rock. This blending of art forms was not unusual among the residents of the city’s dilapidated downtown neighborhoods, a topic that he and writer, photographer and actress Lisa Jane Persky will discuss during Making a Scene: A Conversation About Downtown New York City, a free event that I will moderate at the Englert Theatre during the Witching Hour Festival.

