Public Space One, also known as PS1, evokes the idea of the commons, a venerable tradition that allows all members of a society to have access to the same materials and spaces. “The name has always struck me as challenge,” said John Engelbrecht, PS1 director. […]
Ed Sanders grew up in western Missouri, in the small farm town of Blue Springs. After briefly attending the University of Missouri, he hitchhiked to the East Coast in 1958 to attend New York University. “I soon was enmeshed in the culture of the Beats,” Sanders recalled in his memoir, Fug You, “as found in Greenwich Village bookstores, in the poetry readings in coffeehouses on MacDougal Street, in New York City art and jazz, and in the milieu of pot and counterculture that was rising.” He also began volunteering at the Catholic Worker, a newspaper founded by activist Dorothy Day that was dedicated to social justice. […]
Richard Meyers landed on New York City’s Lower East Side in late 1966. Within a few years he had reinvented himself as Richard Hell and transitioned from poetry to punk rock. This blending of art forms was not unusual among the residents of the city’s dilapidated downtown neighborhoods, a topic that he and writer, photographer and actress Lisa Jane Persky will discuss during Making a Scene: A Conversation About Downtown New York City, a free event that I will moderate at the Englert Theatre during the Witching Hour Festival.
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Part two of two. Read part one: A true history of fake news: The many identities of Benjamin Franklin The 2016 U.S. presidential election season unleashed new anxieties about “fake news” and other slippery forms of propaganda that have been enabled by our newfangled social media. However, media manipulation has a long history — one […]
Before the term “fake news” gained wide circulation during the 2016 presidential election season, deception had long been part of the U.S. media landscape. When Benjamin Franklin emerged as the publisher of the Pennsylvania Gazette, he used it to plant ironic satires, partisan potshots and other false stories. […]
Everything about singer-guitarist Doug Martsch and his longtime band is unassuming and undramatic — from the two decades of major-label albums they’ve steadily released as the music industry collapsed around them to the lilting melodies and long, winding solos that weep gently from Martsch’s guitar. […]
For the diehard Mission Creeker, there is no rest for the wicked. Here are the must-see acts for the 2018 Mission Creek Festival, each day of the week, Tuesday through Sunday. […]
Those who contribute the most to local music scenes often make the least amount of noise. This was certainly true of the late Dennis Jones, an unassuming sound engineer who could regularly be seen operating the sound board for Iowa City’s Friday Night Concert Series, as well as at hundreds of club shows, benefits and other local events over the past three decades, until his death at the age of 68 on Feb. 9. […]
Forty-five years ago — on Jan. 11, 1973 — the first reality series premiered on PBS, and television would never be the same. An American Family became an immediate pop culture sensation that was discussed by newspaper columnists, debated by television pundits and even taken seriously by respected scholars like Margaret Mead.
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From throwing used tampons into a crowd to playing pranks on Mötley Crüe, the new film ‘L7: Pretend We’re Dead’ depicts L7 in all their fun-filled feminist glory. […]
DJ Spooky’s new Explorer I Remix emerged from a collaboration between this visiting artist and a group of University of Iowa scientists, musicians, librarians and archivists. It will celebrate the 60th anniversary of a satellite launched in 1958 used to discover Earth’s radiation belts (known as the Van Allen belts in honor of UI scientist James Van Allen). […]
Musicians Kevin Shea and Matthew Mottel dubbed themselves Talibam! because it was the most unhip name they could think of, especially compared to the then-current new crop of Brooklyn groups like Dirty Projectors and Grizzly Bear — whose names read like impressionistic hipster word association games. It was an attempt, keyboardist Mottel said, to suggest “an alternative political vision, which was matched by our cultural determination to provide an alternative to the landscape of music and performance we were surrounded by.” […]
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