Advertisement

Album Review: Paul Cary — ‘Raven’

Paul Cary makes raggedy, broken music. His guitar sounds are dirty, distorted and low-fi. Drummer Johnathan Crawford sounds like he’s banging on a briefcase. Cary’s nasal voice puts the mixer in the red, surrounding every accented syllable with a cloud of fuzz. “Snake In the Grass,” the opening track on his 2020 release, Raven, drips […]

Read More…

Album Review: Dan Padley — ‘Perfectly Whelmed’

Dan Padley, a graduate of the University of Iowa College of Music, has been a versatile asset to Iowa City’s music scene. From touring with singer/songwriter Elizabeth Moen to performing with his band Laranja, he’s a player’s player, meshing seamlessly with the music at hand. Perfectly Whelmed seems more personal and reflective than his […]

Read More…

Album Review: Eric Paul — ‘Killer’ EP

The first thing I notice about Eric Paul’s Killer EP is guitar tone. In particular, the opening track, “Paradise of Sin,” has a wide stereo guitar sound, subtly overdriven. It’s the kind of electrified guitar sound that gives you that warm feeling when you hear it at concert volume, combined with the punchy drums that bob and weave around the guitar parts. […]

Read More…

Album Review: Dryad — ‘The Silurian Age’

The metal scene in Iowa City has always been a pocket universe where the boundary between fans and musicians is permeable. It’s like the bar in Cheers — where everybody knows your name — but with more long hair, tattoos and black leather. The competition between bands is to be the loudest, heaviest and tightest, not the most successful. […]

Read More…