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Album Review: Crystal City — Bartenderly

Iowa City band Crystal City’s newest record Bartenderly molds midwestern milieu into 17 tracks of honest-to-goodness barroom rockers and ballads — the kind not heard from perhaps since the Replacements dragged their lager-soaked poetry to the masses. It’s clear that Dave Helmer and Sam Drella worship at the Temple of Westerberg with their loose and quick first-take don’t-look-back approach to chugging rock and roll.

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Album Review: The Dawn — Wooly

As we look on the landscape of music generally described as “jam band” 50 years after the Summer of Love, it is dotted with pretty much every musical subgenre one can think of—much wider than the folky, psychedelic rock and country music of genre progenitors the Grateful Dead. The term today describes bands that share a common spirit of approach to performing music—one part is the improvisation at the heart of it; the other part is the community of fans who embrace that improvisation.

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Album Review: NAOMI — Good Riddance to Bad Rubbish

In Cedar Rapids we appear to have a new trend of band names that are, um, a name: DICKIE, Colleen and the latest of these: NAOMI, which is named after its radically asymmetrically-coiffed frontwoman.

NAOMI aptly calls their high-energy music “snarky pop/rock.” On their debut record, Good Riddance to Bad Rubbish, I hear bits of Garbage, No Doubt, P!nk and Avril Lavigne peppered through the songs. Songs like “Hell To Pay,” “A Common Story (I Know)” and “Sex Appeal” all adhere closely to the compressed and distorted guitars, stomping drums and fun synth lines. The layers of Naomi’s edgy vocals in harmony and unison carry the melodic hooks into earworm territory.

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Interview: Pieta Brown on ‘Postcards,’ pen pals and Flat Black

The songs for Pieta Brown’s latest album, Postcards, were written while she was on a solo tour. The isolation and distance and the challenge to stay connected inspired the songs. When it came time to assemble them into an album she compiled a list of her dream collaborators and sent them “musical postcards.” The credits for the album read like a who’s who of American folk, and those familiar with her career will see some notable musicians she’s worked with or toured with including Calexico, Mark Knopfler, Carrie Rodriguez and the Pines.

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Album Review: TIRES — LP1

TIRES LP1 tires.bandcamp.com LP1 by TiresThe big, anthemic sound of Phil Young’s (the Wheelers) new instrumental project TIRES was inspired by the recent passing of his grandfather. “He was kinda a cranky old guy to me most of my life,” Young told me in online chat. “We were one of the only families that didn’t […]

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Album Review: The Pines — Pasture II

The Pines Pasture II thepinesmusic.com During live shows the Pines will drop in traditional and cover songs, seemingly as much for their entertainment as for the audience. In 2015, they released an EP of some of these songs titled Pasture: Folk Songs, which included songs from Joe Price, Mance Lipscomb, Iris Dement and Greg Brown. […]

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