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Album Review: A432 – Broken

A432 (Iowa City’s Logan Stimmel) calls himself a sound artist, rather than a musician — which means that I have high confidence many Little Village readers will not like Broken. A432’s music sits in the general vicinity of the music of Autechre and Richard Devine. It is deliberately abstract, without being arbitrary. Any sounds that originated as acoustic vibrations in air (i.e., “normal” music or location recordings) have been digitally altered and treated to render them unrecognizable.

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Album Review: Elizabeth Moen – Self-titled

Elizabeth Moen Elizabeth Moen www.elizabethmoen.bandcamp.com On “Songbird,” the first track from her eponymous debut album, Elizabeth Moen sings, “Singing at the top of my lungs trying to get through.” It shows off her voice and guitar in a way that perfectly situates her in the singer-songwriter tradition alongside Joni Mitchell, Janis Ian and Judee Sill. […]

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Album review: Jim Viner’s Incredible B3 Band – Comango!

Jim Viner’s Iowa City music resumé goes back a ways, at least to the 1990s, in the bands Head Candy, Bent Scepters and Brother Trucker. Jim Viner’s Incredible B3 Band is chock full of IC veterans, like the organists Radoslav Lorković and Nate Basinger. The band’s personnel overlaps with The Diplomats of Solid Sound, led by Doug Roberson, who also plays here.

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Album Review: Cedar County Cobras – Delta Avenue Juke Joint

Cedar County, Iowa is home of West Branch, Springdale, Clarence, Lowden and the Cedar County Cobras. Their debut album’s title, Delta Avenue Juke Joint, is an inside joke: Delta Ave. is a county road that connects nowhere to nowhere a few miles north-east of Cedar Bluff, where the album was recorded. It’s the kind of place where fun is, of necessity, homemade…

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Album Review: The Ills – Fuck this planet

Erika Ebola, Danny Dysentery, Molly Marburg, Tommy Tinnitus, Stella Salmonella; I think I’m sensing a theme here. This is definitely punk rock/hardocre straight out of the 1980s, reminiscent of the Circle Jerks, Plasmatics, and the Rezillos. One may well ask, does the world need more hardcore punk rock with track names you can’t say on the radio or TV?
Short answer: Yes. Longer answer: Punk rock at this point is beyond a sociological phenomenon of the past, and has become a vernacular folk tradition.

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