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‘It kicks ass to still be around’: X’s John Doe and Exene Cervenka on song origins, LA punk and their new book

X, an original 1977-era punk band, has remained one of my all-time favorites for decades, but I never got to see them until a recent show at the Pageant Theater in St. Louis. It was fitting to watch X in Missouri, the setting for Road House — the craptastic Patrick Swayze vehicle that featured X co-founder (and actor) John Doe.

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Guerilla Toss on their chaotic origin story and psychedelic new album, ahead of Mission Creek

For a band that creates frenetic, rhythm-charged, psychedelic music, Guerilla Toss’s absurd origin story is perfectly on-brand. Back when Kassie Carlson first crossed paths with the group at a DIY basement venue named the Smokey Bear Cave, they initially had a saxophonist instead of a vocalist. Meanwhile, she was singing in a hardcore band

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From Judy! to Tom Tomorrow, Iowa City’s ‘revolutionary’ zine scene flourished out of Zephyr Copies

“Sometime during the early 1980s,” intermedia artist Lloyd Dunn recalled, “a number of people in many different places suddenly understood that they could afford to become publishers, as photocopy shops began to appear in cities around the world.” In the years before the internet, artists, outsiders and other weirdos connected with each other through a […]

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Book excerpt: The Fugs’ Ed Sanders incites a indie media revolution with his zine ‘Fuck You’

Ed Sanders grew up in western Missouri, in the small farm town of Blue Springs. After briefly attending the University of Missouri, he hitchhiked to the East Coast in 1958 to attend New York University. “I soon was enmeshed in the culture of the Beats,” Sanders recalled in his memoir, Fug You, “as found in Greenwich Village bookstores, in the poetry readings in coffeehouses on MacDougal Street, in New York City art and jazz, and in the milieu of pot and counterculture that was rising.” He also began volunteering at the Catholic Worker, a newspaper founded by activist Dorothy Day that was dedicated to social justice.

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Richard Hell’s New York City

Richard Meyers landed on New York City’s Lower East Side in late 1966. Within a few years he had reinvented himself as Richard Hell and transitioned from poetry to punk rock. This blending of art forms was not unusual among the residents of the city’s dilapidated downtown neighborhoods, a topic that he and writer, photographer and actress Lisa Jane Persky will discuss during Making a Scene: A Conversation About Downtown New York City, a free event that I will moderate at the Englert Theatre during the Witching Hour Festival.

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