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Interview: Richard Hell on his new collection of essays, ‘Massive Pissed Love’

“Fuck Rock and Roll (I’d Rather Read a Book),” Richard Hell sang in 1974, back when he played in the band Television. He also co-founded two other influential New York punk groups—The Heartbreakers and The Voidoids—something that tends to overshadow Hell’s half-century involvement in the publishing world. “I’ve always loved books,” he told me over […]

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The Pioneers of Disruption: Negativland members open up about deceased member Don Joyce, future projects

Negativland’s Don Joyce lived and breathed sound collage—’til his heart stopped beating on July 22, 2015 at the age of 71. “I’ve been more interested in what’s already out there than creating some new, so-called ‘original,’” Joyce told me in a 2003 interview at his home studio in a seedy part of Oakland, California. “I […]

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Interview: Questions for Laurie Anderson from a Two-Year-Old

When my son, Alasdair, was two, he embraced an unlikely children’s entertainer: Laurie Anderson. It began when he found her 1982 debut album, Big Science, in my vinyl collection and asked about it. After watching the “O Superman (For Massenet)” music video on YouTube, he moved on to her “Sharkey’s Day” video and then the […]

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The Yes Men bring anarchy, comedy and political activism to Iowa City

Film Screening and Q&A: The Yes Men Are Revolting FilmScene (via The Bijou Theatre) — Wednesday, Aug. 26 at 3 p.m. (Free) Using humorous deceptions to get their political points across, the Yes Men have regularly made headlines since they joined forces in 1999. Today, Mike Bonanno and his partner in crime, Andy Bichlbaum, bring […]

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Pitchfork Music Festival 2015: Quick picks

The Pitchfork Music Festival is taking over Chicago’s Union Park this weekend (July 17-19). And with three stages, three days of music and upwards of 50,000 attendees, deciding where to spend one’s time is no simple feat. But fear not! Below, you’ll find some of LV‘s top Pitchfork picks, so crank up that Spotify playlist, […]

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Album Reviews: Younger – Self-titled

The self-titled debut by Iowa City trio Younger nicely balances intricate arrangements with more hooks than a box full of fishing tackle. Many of their songs contain verse-chorus-verse-defying breakdowns and changes, though without sounding busy or proggy, like on the album’s lead track, “Street Rat.” Similarly, “Clash” begins with a lilting guitar riff and rumbling bass line that propels the first two verses before switching gears halfway through—slowing the tempo and descending into a spiral of three-part harmonized, interlocking bah-bah-baaaah vocals.
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