Kalia Vandever performs on Friday, Nov. 3 at 7 p.m. at The James Theater for FEaST 2023. — photo by Liv Ryan

Revenge is a dish best served cold, and FEaST is a sonic smorgasbord best consumed with ears wide open. The off-kilter brainchild of Iowa City-based experimental music maker and promotor Chris Wiersema, this annual festival builds on his aptly named Feed Me Weird Things live performance series — which pushes the boundaries of convention in ways that are inviting and not intended to be hipper-than-thou.

โ€œFEaST and Feed Me Weird Things arenโ€™t meant to be this kind of anti-music, anti-pop kind of thing, or anything like that,โ€ Wiersema is careful to point out. โ€œItโ€™s just a different way to listen.โ€

FEaST offers a buffet of aural delights, with a multigenerational lineup of envelope-pushing artists that include the Sun Ra Arkestra, Laurel Halo, Bill Orcutt, Zoh Amba & Chris Corsano, Theon Cross, claire rousay, El Khat and Kalia Vandever, whose recent album We Fell In Turn was released earlier this year.

โ€œKalia is the perfect example of the kind of show that I want to present,โ€ Wiersema said, โ€œone that fosters a kind of deep listening that can cultivate connectedness. It requires some patience and a quietness of mind that I think we can get out of practice doing — at least, I know that I can. So, I think We Fell In Turn really benefits from kind of closing your eyes and deep diving into the album for its entirety.โ€

This close-listening approach is also echoed in Vandeverโ€™s solo performances, which require a great amount of grounded focus on her part. Born in North Carolina in 1995, she lived for a time in Oak Park, Illinois until her family moved to Los Angeles when she was 8 — around the time she began playing trombone.

Music was always part of her childhood while growing up, and Vandeverโ€™s parents started her and her sister on piano when they were quite young. Her father loved jazz and spun it a lot around the household, and one day she became transfixed by the sound of Delfeayo Marsalisโ€™ trombone.

โ€œI asked my dad what that instrument was, he told me it was a trombone, and I told him that thatโ€™s the instrument I wanted to play,โ€ she recalled. โ€œI think from the moment that I first started playing it, I knew that it was something I wanted to spend my time working on. The trombone resembled the human voice in a way that no other instrument had. I was drawn to the fullness and darkness of its tone, and I think that the tone that Delfeayo produced on that album is what I was originally drawn to.โ€

After graduating from Juilliard in 2017, Vandever released two ensemble albums, In Bloom and Regrowth. She also began exploring the use of electronics in music after a friend showed her how to use a piece of gear named the Memory Man with Hazarai, which she mostly employs as a delay pedal, though it also has a looper function that allows Vandever to layer and create her own world of sound.

โ€œIโ€™ve always focused so much on tone and melody with the trombone,โ€ she said, โ€œso the idea of being able to interact with my own sound was really enticing, and thatโ€™s when I began to lean into that. I started to get more immersed in ambient music, which I had heard before, but hadnโ€™t really delved into like I have in the last four years or so.โ€

We Fell In Turn is fully improvised, save for one track, and what one hears on the album is the sound of an artist interacting with her own instrument through a humanistic use of technology.

โ€œImprovising requires more focus,โ€ Vandever said. โ€œAnd it requires me to tap into whatโ€™s going on and how Iโ€™m feeling in the moment, which always leads to something really honest. Whether Iโ€™m feeling anxious, or feeling really relaxed, or Iโ€™m thinking about something, it forces me to center myself and release control.โ€

โ€œKaliaโ€™s technique of long-held tones and looping pedals allows her to create music that is reflecting on itself,โ€ Wiersema said, โ€œwhich is a perfect example of the kind of listening experience that Iโ€™m hoping people will get through FEaST. I love the idea of people coming together just for two hours, and that the music exists in that room for that moment, just for them — which is what FEaST will be, two hours a night to just quietly listen to two artists.โ€

Feed Me Weird Things presents: FEaST

Claire Rousay, Zoh Amba & Chris Corsano
Wednesday, Nov. 1 at 7 p.m.
The James Theater

Drew McDowall, Jairus Sharif
Thursday, Nov. 2 at 7 p.m.
The James Theater

Laurel Halo, Kalia Vandever
Friday, Nov. 3 at 7 p.m.
The James Theater

Bill Orcutt, El Khat
Saturday, Nov. 4 at 2 p.m.
The James Theater

Sun Ra Arkestra, Theon Cross
Saturday, Nov. 4 at 6:30 p.m.
The Englert Theatre

Kembrew McLeod bought his FEaST pass, and so should you. Be there or be square! This article was originally published in Little Village’s September 2023 issue.