Posted inAlbum Reviews

Album Review: DJ 500 Benz – Geometrics II

DJ 500 Benz though still in his early 20s has been very active in Iowa hip-hop scene for the past few years, producing beats for a variety of MCs—notably Rahlan Kay’s excellent Relationships from the summer of 2012. Geometrics II is a different sort of thing, comprising tracks that fall under the electro house heading. Electro house has little to do with actual electro or house; it’s the synth heavy dance pop that seems to be swamping the pop charts these days.

Posted inAlbum Reviews

Album Review: Angle – White Andy

Angle and Coolzey are Iowa hip-hop veterans, but to my knowledge White Andy is their first collaboration. They don’t pussyfoot around; “White Andy” is a character Angle (Jarid Catrenich) uses to take on the issue of hip hop and race in possibly the most ridiculous, over-the-top manner, including appearing in White Face on the cover. “Two white dudes making music for people of all colors,” drawls Coolzey at the end of “Blazee.”

Posted inAlbum Reviews

Album Review: The Blendours – Level 99

The continuing influence of The Ramones’ music on the face of rock years after their breakup is a testament to the idea that simple and direct is the most effective approach to getting to the hearts of youth. Directly or indirectly, any variation of punk rock today owes a debt to the amphetamine-driven sped-up version of ‘60s rock that The Ramones made.

Posted inAlbum Reviews

Album Review: Alex Body – No Event

The title of Alex Body’s sixth release, No Event, is actually an apt description of my first impression of the album. After a string of increasingly better releases, No Event showcases a more confident artist, one willing to re-explore many of the sounds and textures that have comprised previous efforts. But the album is definitely a grower.

Posted inAlbum Reviews

Album Review: Eric Pettit & Tim Buhmeyer – We Are In Rome

Guitar, Banjo, Harmonica and Voice. Stop me if you’ve heard this one already. Eric Pettit and Tim Buhmeyer have the folk musician’s most glorious delusion—that they can make something new and unique with the same tools everyone’s been using since forever. Or maybe they have the folk musician’s perfect addiction—it feels so good to play this kind of music that you just can’t stop doing it.

Posted inAlbum Reviews

Album Review – Megan Buick

Megan Buick’s self-titled album feels like the aural equivalent of Jan Svankmajer’s surreal, stop-motion film Alice—a fractured take on the Lewis Carroll classic. Svankmajer’s imaginative recreation of Wonderland constantly treads the fine line between delightfully imaginative and eerily unsettling; Buick’s lo-fi psychedelic folk embraces a similar duality.

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