By far the best thing about this movie is the two leads, Ronan (Lady Bird) and Robbie. Their performances made me emotionally invested in the characters. […]
As with most of Lanthimos’ work, ‘The Favourite’ really defies category. Though the historical setting is inseparable from the narrative of the film, to call this a historical drama would clearly be wrong — the choreography, the foul-mouthed modern insults and the mostly casual regard for historical accuracy would all disqualify it. […]
DC movies have had quite the rocky road recently. The one beacon of hope was Patty Jenkin’s Wonder Woman. Ever since its release, people have wondered when we were going to get the next strong showing from DC. […]
There’s a fine line between a movie that’s “artsy” and one that’s “artistic,” at least in my mind. Artsy films I associate with a palpable (and largely unearned) sense of importance, originality and depth. They may be unnecessarily abstract, employ an unsteady cam ~for realism~ and cannot end until at least one character has floated […]
‘At Eternity’s Gate,’ now playing at FilmScene, offers little new to the lore and legacy of van Gogh. Nonetheless, an homage to one of the very founders of modern art — as well as the idea of the modern artist — by one of its 21st century practitioners feels right, and Schnabel’s admiration for his subject informs every moment of this film. […]
Wildfires rage in the hills surrounding a small Montana town in the 1960s. A father, humiliated by his boss while working at a golf course, joins a group of firefighters battling the blaze for weeks on end at $1 an hour. His wife resents her husband’s pride and temporary desertion of his family, and becomes […]
You know this story. Whether or not you’ve read David Sheff’s memoir Beautiful Boy or Nic Sheff’s memoir Tweak, you’ve likely heard — or lived — the film’s central scenario: a parent tries desperately to save their drug-addicted child, but finds his best efforts further alienate or enable the child’s behavior; the child, meanwhile, struggles […]
‘Suspiria’ is polarizing, as reflected on Rotten Tomatoes (currently 62 percent approval rating) with critics either praising Guadagnino’s bold and heady filmmaking or deriding the movie as pretentious and boring. Many critics, including this one, find it to be both at the same time. […]
Edge-of-your-seat suspense. Sky-high stakes. Psychological intrigue. Queasy cinematography. And enough unadulterated fear to make your heart pound and palms sweat. Perhaps FilmScene’s most viscerally frightening showing this month is ‘Free Solo,’ a documentary about the death-defying free solo rock climber Alex Honnold.
There was no way FilmScene wasn’t going to get its hands on We the Animals. The film is not only based on a novel of the same name by Justin Torres, a graduate of the Iowa Writers’ Workshop, but Torres worked closely with the film’s director to realize his story onscreen. […]
Michael Moore is back to remind us just how fucked we all are. His new documentary, Fahrenheit 11/9, starts showing today at FilmScene, just over two weeks out from its premiere at the Toronto International Film Festival. The film’s villains are more numerous, and not all quite who you’d expect. Here are Michael Moore’s primary targets.
There’s something extraordinary about Sorry to Bother You. Maybe it’s rookie writer-director Boots Riley’s unique take on science fiction. Maybe it’s the timely discussion of the evils of capitalism and importance of labor unions. Maybe it’s the practical special effects, hearkening back to early sci-fi with a contemporary, satirical sheen. Maybe it’s Lakeith Stanfield’s stellar performance, or Tessa Thompson’s badass hair, make-up and wardrobe. […]