I want to gush about Parasite, which opens at FilmScene—The Chauncey today, but it’s one of those movies where the less you know going in, the better. Still, while you’re here, I think there are a few things I can say about Bong Joon-ho’s latest masterpiece that will, hopefully, entice you to go see it without diminishing that experience for you. […]
Nazis are bad, right? Right. Taiki Waititi assumes you already understand this if you’re sitting down to watch his latest film, Jojo Rabbit. If you know anything about this movie, it’s that it’s about a kid who has Adolf Hitler as an imaginary friend. Maybe you even heard that it’s directed by the Thor: Ragnarok guy. Oh, and it’s divisive as hell. […]
‘Lucy in the Sky’ (dir. Noah Hawley) opens with astronaut Lucy Cola (Natalie Portman) looking from the outside to the world she left behind. It appears as a sphere strung with lights of connection. She’s told to come in, but she asks for another moment. The vast vista is exchanged for a view from earth, a fast-moving amalgam of cars and faces and
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In ‘Monos,’ the lack of a centralized, framing point of view, the young children who lack a fixed identity and the absence of much context make the film difficult to predict. Choices that lead to unexpected consequences are less revelations of character than witnesses to forces that alter our sense of what life and survival mean. […]
I fell down a Wikipedia rabbit hole a few months back and stumbled upon the page for the “‘My Way’ killings.” Apparently, in the ’00s, at least a half-dozen karaoke singers were killed while singing Frank Sinatra’s “My Way” at bars in the Philippines. Fighting is not uncommon at these bars, but for whatever reason, “My Way” seemed to be an especially […]
Aquarela is shot at 96 frames per second, four times faster than most film. And, at last Friday’s opening, Iowa City’s FilmScene — Chauncey is the only theater in America where you can see it in its intended format. Combined with the new 7.1 surround sound system and the new chairs, the space itself is […]
On Friday, Aug. 23, FilmScene opened Jennifer Kent’s The Nightingale for a limited run. Art house audiences know Kent from her critically lauded horror film The Babadook (2014), which chronicles the mental deterioration of single mother, Amelia, reeling from her husband’s death and desperately struggling to parent her young son. The Nightingale also features a […]
You don’t have to believe a conspiracy theory to buy into it. Sword of Trust, the latest film from indie queen Lynn Shelton, follows four adults who dabble in the world of Deep State conspiracy in hopes of a pay-out — and, adversely, a little enlightenment. The tight 90-minute comedy is now playing at FilmScene. […]
FilmScene’s Vino Vérité series presents Anbessa, directed by Mo Scarpelli on July 14. The hors d’oeuvres and wine tasting, part of the experience of the series, start at 6:30 p.m. […]
Joe Talbot’s film — his first — is a collaboration between the director and his friend/scriptwriter/main character Jimmie Fails, who tells a story at least partly autobiographical about changes to the city of San Francisco and the struggles that members of its lower classes face as they adapt. […]
I appreciated ‘Broken Flowers,’ enjoyed ‘Coffee and Cigarettes,’ have a copy of ‘Paterson’ that remains unwatched — and loved ‘Only Lovers Left Alive.’ I was thus incredibly excited to see that Jim Jarmusch was exploring the horror genre again in ‘The Dead Don’t Die,’ playing now at FilmScene. […]
Written and directed by Olivier Assayas, ‘Non-Fiction,’ showing currently at FilmScene, is definitely a thought-provoking and overall enjoyable use of time. It is a meaty movie that hearkens back to past themes in Assyas’s work. […]
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