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Album Review: Piss Exorcist — Piss Exorcist

From the depths of the Eastern Iowa punk scene comes Piss Exorcist’s self-titled album, released this past February. The Piss Exorcist identifications on Bandcamp range from hardcore punk to thrash music, but their Facebook claims they produce “punk bullshit,” which couldn’t be a more fitting classification in the most favorable sense. […]

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Album Review: Koplant No — Elker

The opening track “Before We Go” on the reunited Koplant No’s new album “Elker” is a compound of skittering synth decay and dripping percussion flitting around a lone trumpet carrying a mournful melody. It’s a track that would fit perfectly on a Jack Lion record — which seems obvious when you consider that fellow Iowa City group Jack Lion shares Brian Lewis Smith on trumpet and Drew Morton on bass.
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Album Review: Peanut Ricky — I Think I Am Not Okay

A self-described sententious high school student, Jordan Adams (Conetrauma, Jailbus) was frequently skipping class and finding herself in Saturday detention, where she would spend her time in the art room. One day, when sorting through stacks of art prints as she usually did, a particular picture caught her eye. The dark photograph was of a blank wall that read “Peanut Ricky as a thunderbolt.” Adams, now 20 years old, has since released all of her solo music under the namesake. […]

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Album Review: Dustin Matos — Layers

“Layers” is storytelling symphonic rock at its best. There’s an epic, synth-y feel that could set it as the soundtrack to an ’80s fantasy film — but the narrative is more concise. These aren’t the kind of instrumental tracks that exist to travel alongside someone else’s story. They’re self-contained tales.
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Album Review: BEES — Shady Lady EP

The early 1970s was a dynamic time for country music. The old guard of ’50s and ’60s country artists started taking a backseat to the rise of artists crossing over with rock and R&B who took over the Top 40: artists like Glen Campbell, Mac Davis, John Denver, Elvis in his post-’68 Comeback period, Jerry Reed and J.J. Cale. […]

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