Dan Padley (a member of Laranja and Elizabeth Moen’s band) is releasing a new EP of ambient guitar improvisations Nov. 1 to benefit the Emma Goldman Clinic. Padley is not wedded to a specific style of music. With Elizabeth Moen, he meshes with her rootsy singer-songwriter style; with Laranja, he explores modern jazz. On Druthers he probes the […]
As a fan of jazz — and especially of Nina Simone’s hauntingly beautiful songs — I am interested in seeing reputable artists do justice to her music. Putting that together with Counterfeit Madison becomes a dream come true. […]
Iowa City Community Theatre’s production of George Reinblatt’s Evil Dead: The Musical is both bizarre and wonderful — in spades. After seeing it Friday night, I went home and watched all three original movies: Evil Dead, Evil Dead II and Army of Darkness. After this surprisingly swift marathon I have come to the undeniable conclusion […]
Crucet’s work promises to illuminate the struggle of belonging, the power of paying attention and the necessity of beauty and art in portraying problems. I want to hear how a narrative about something I wrestle with is understood by someone from a very different life experience. […]
On Saturday, Nov. 2 at the Chauncey, FilmScene will award renowned director and screenwriter Charles Burnett with the prestigious Iowa City 2019 Cinema Savant award. The event will be followed by a reception honoring Burnett and his oeuvre. […]
Jason Everett will exhibit an incredibly timely photography series that originated in a project entitled “More Friends Than the Mountains.” He developed the project as a way to gather community members, national art suppliers, international non-profit organizations and Kurdish government entities together to conduct art […]
Somewhere, I read a likening of Feast. to Game of Thrones — which I thought sounded ridiculous. How could a one-woman, live stage show approximate the visual awe of flying dragons, the vast expanse of bloody battle scenes, the echo of hallowed throne rooms? But as usual, I turned out to be the unimaginative fool. You see, I was envisioning
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Creative Tools for the Apocalypse: Workshop Merge — Saturday, Nov. 2 at 1 p.m. In this series, local arts critic (and Witching Hour participant) Daniel Boscaljon provides a guide to his choices for the most thought-provoking parts of the 2019 Witching Hour Festival. Monday: Talks and resentations; Tuesday: Theater, film and performance. Today: Workshops Narrowly […]
Composer Rachel Grimes’ folk opera/film amalgam epitomizes the sort of critical and creative engagement that that invites Witching Hour audiences to life-changing, mind-bending beauty. […]
Marcelo Mena kicks off Englert activities at Witching Hour with a Friday night lecture titled From Impossible to Inevitable: How Climate Action is Mainstreamed Globally. […]
Director Anne Bogart has influenced decades of actors and directors as one of the most formidable minds in American theater. She trained at Bard College and New York University’s Tisch School of the Arts. Bogart currently serves as one of three co-artistic directors of SITI Company, which she founded in 1992 with Japanese director Tadashi Suzuki. SITI Company is currently […]
Though the recent resurgence of zombie hordes both on- and off-screen may be giving vampires (in general) a run for their money, no one character has been immortalized as often as Dracula. And if TCR’s ticket sales are any indication, this lone monster and his violent delights still have a powerful hold on our collective imaginations. […]
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