Posted inBook Reviews

Book Review: ‘Carousel’ by Sarah Minor

The concepts of time, memory and perspective are elusive and finicky. In Sarah Minor’s Carousel (Yale University Press), our speaker attempts to guide us through all manner of experiences that may lead us closer to an understanding. Carousel, billed as “an essay on seeing,” is an ambitious and artful collection of vignettes that weave together […]

Posted inBook Reviews

Book Review: ‘The Natural Order of Things: Poems’ by Donika Kelly

Donika Kelly has a system: the award-winning poet and University of Iowa associate professor brings poems to her reader that are accessible and welcoming. Then, they build into an overwhelming and holy crescendo of piercing, evocative vignettes. Kelly’s latest, The Natural Order of Things (Graywolf Press), is hearty, nourishing. The crescendo in this collection brings […]

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Book Review: ‘Burnt Mountain’ by Emily Wilson

The most prominent, consistent feature of these poems are the heady — even baroque, indulgent — descriptions of the natural world. (I wrote “descriptive” three separate times in my notes.) In “Heath Obscure” Wilson writes of “sumptuary / crumble underfoot” and “the meanly / spangled mollusk grays.” In another poem, “Attention,” Wilson describes “the butte […]

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Does your book break the mold? Is it growing mold? Iowa’s new One of Us horror fest accepts you!

Filthy Loot, a small boutique literary press based in Ames, specializes in what founding editor Ira Rat calls “misfit fictions.” The books published by Filthy Loot push boundaries. “I found that a lot of the writers I like were getting ignored because they didn’t fit into a mold,” Rat said in a phone interview.  An […]

Posted inBook Reviews

Book Review: ‘At the Park on the Edge of the Country’ by Austin Araujo

Austin Araujo’s debut poetry collection At the Park on the Edge of the Country (Ohio State University Press) explores life at the intersections of immigration and naturalization, adulthood and childhood, understanding and apathy. Using figurative language and descriptive imagery, the collection’s three sections separate poems into formal and thematic movements. The first section addresses borders, […]

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