At the Englert Theatre during Oneohtrix (oh-nay-ah-tricks) Point Never’s performance, I was standing by the back wall, where apparently all the bass goes after passing through the volume of air in the theater. Though the sound system used was not that loud, if you stood where I stood, the bass was a whole body experience without obscuring the detail of the sounds in the higher register. I saw a dimly lit stage with one man illuminated by a laptop screen and dim blue lights. What I heard was dislocated ambience punctuated with synthetic thunderclaps. […]
Show review: Philip Glass and Oneohtrix Point Never
