‘Suspiria’ is polarizing, as reflected on Rotten Tomatoes (currently 62 percent approval rating) with critics either praising Guadagnino’s bold and heady filmmaking or deriding the movie as pretentious and boring. Many critics, including this one, find it to be both at the same time. […]
Edge-of-your-seat suspense. Sky-high stakes. Psychological intrigue. Queasy cinematography. And enough unadulterated fear to make your heart pound and palms sweat. Perhaps FilmScene’s most viscerally frightening showing this month is ‘Free Solo,’ a documentary about the death-defying free solo rock climber Alex Honnold.
There was no way FilmScene wasn’t going to get its hands on We the Animals. The film is not only based on a novel of the same name by Justin Torres, a graduate of the Iowa Writers’ Workshop, but Torres worked closely with the film’s director to realize his story onscreen. […]
Michael Moore is back to remind us just how fucked we all are. His new documentary, Fahrenheit 11/9, starts showing today at FilmScene, just over two weeks out from its premiere at the Toronto International Film Festival. The film’s villains are more numerous, and not all quite who you’d expect. Here are Michael Moore’s primary targets.
There’s something extraordinary about Sorry to Bother You. Maybe it’s rookie writer-director Boots Riley’s unique take on science fiction. Maybe it’s the timely discussion of the evils of capitalism and importance of labor unions. Maybe it’s the practical special effects, hearkening back to early sci-fi with a contemporary, satirical sheen. Maybe it’s Lakeith Stanfield’s stellar performance, or Tessa Thompson’s badass hair, make-up and wardrobe. […]
A cursory glance at the story prompts a thousand questions, one of the prevailing being, “Where are they now?” Enter Three Identical Strangers, a documentary that takes you through the triplets’ story detail by detail. The exceptionally fascinating film is now showing at FilmScene. […]
When I went to see ‘Sorry to Bother You,’ directed by Boots Riley, last month, I had thought it was one of the best pieces of absurdist cultural commentary I had seen, even considering Childish Gambino’s “This is America.” Including Spike Lee’s newest, ‘BlacKkKlansman,’ we now have three pieces of art that provide a stark exposition of the racist nature of American power. […]
I had never heard of Bo Burnham, who wrote and directed ‘Eighth Grade’ (currently screening at both FilmScene and Marcus Cinemas in Iowa City and Cedar Rapids), but found it fitting that my child — who just completed that educational milestone — was quite familiar with his work. […]
Debra Granik’s newest movie ‘Leave No Trace’ is a poignant meditation on the meaning of family and home in an all-too-familiar America where well-meaning officials create the problems that they want to resolve. […]
The newest movie from Brett Haley (I’ll See You In My Dreams, The Hero) offers audiences an opportunity to explore the complications of modern life, especially through the lens of family dynamics, and ways that art — music in particular — can provide balms of consolation without needing to fix or solve situations. […]
The Iowa Department of Cultural Affairs announced their 2019 grant recipients, and included among the eastern Iowa honorees is FilmScene — the first cinema to be named as an Iowa Arts Council Cultural Leadership Partner. More than 200 organizations were awarded a total of over $2 million by the Department of Cultural Affairs this year, […]