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John Cameron Mitchell reflects on 25 years of ‘Hedwig’ — ‘a story of trauma, abuse and the government deciding what you are’

For John Cameron Mitchell, the writer, director and star of Hedwig and the Angry Inch, punk rock has to be in the moment. Currently on tour for the film’s 25th anniversary, Mitchell will stop in Iowa City on Sept. 23 and 24 for a musical performance as part of Hancher’s Infinite Dream Festival, as well […]

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Filmmaker Drew Johnson on why his team chose to zoom in on East Palestine, Ohio — and how it reminds him of Cedar Rapids

Drew Johnson grew up in Cedar Rapids making movies with his friends in his backyard. Now an adult, his filmmaking career has flourished without Johnson needing to leave the Midwest. He’s was one of the founding members of Loose Films, an award-winning production house based in Columbus, Ohio. Johnson founded the company with Noah Dixon […]

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New Mary Oliver documentary inspires Iowa City orgs to celebrate a poet often disregarded in elite circles

Film director (and former University of Iowa professor) Sasha Waters first recalls being struck by the work of Mary Oliver as a new parent, listening to A Prairie Home Companion in her Iowa City kitchen. Years later, PBS would ask her to make a documentary about the late Pulitzer Prize-winning poet for the American Masters […]

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Review: ‘Natchez’ shows romanticized history, while sometimes comforting, is far creepier than the truth

When the trailer for the Best Documentary Feature winner at the Tribeca Film Festival, Natchez, first played at FilmScene, my initial, curious response was eclipsed by my partners’ who said, “I’ve been there. We had a family reunion there.” Even before watching the film, its themes of history and tourism were placed firmly on our lap, already haunting the theater. How far away was the past, really?

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Worth a Rewatch: Say hello to ‘Scarface’ (1932), a blood-soaked tribute to Al Capone nearly eviscerated by censors

Welcome back to Worth a Rewatch — new reviews and reevaluations of old films featured at Iowa’s nonprofit cinemas. Think of it as a small historical adventure, an investigation of an artifact and perhaps, the way meaning has changed over time. Today we look at Howard Hawk’s 1932 gangster magnum opus Scarface, which the Bijou Film Board will be screening at FilmScene this weekend.

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‘Queen of Iowa horror’ Carrsan T. Morrissey’s new short to debut at FilmScene Wednesday night

Bleeders, a new short film by local filmmaker Carssan T. Morrissey, will premiere at FilmScene in Iowa City Wednesday, following a showing of Evil Dead (2013). The two films are paired together as part of FilmScene’s long-running love letter to niche horror flicks, Late Shift at the Grindhouse. Morrissey’s short film explores consumption, lust and […]

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Worth a Rewatch: A Black American filmmaker shook up the French New Wave with 1967’s ‘The Story of a Three-Day Pass’

The Story of a Three-Day Pass was awarded the critics’ choice award at the 1967 San Francisco International Film Festival, and all of a sudden Melvin Van Peebles found himself in a position that was almost unbelievable. He was a Hollywood darling.  A decade before, when Van Peebles went looking for a job in Hollywood, […]

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Worth a Rewatch: ‘The Thing’ finds normal people resisting a violent invasion of their snowy home

There’s nothing like beginning the year at the end of the world. As Iowa City’s FilmScene prepares for its yearly showing with two screenings, how does John Carpenter’s cult classic, a film infamously received as off-putting during the Reagan era, land on our laps as we face our own rising tide of conservatism and real-world violence? […]

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Christmas mirth and murder, a Seyfried/Sweeney showdown and all the films you need to see in local theaters this month

Hey folks, welcome back to Little Big Screen: On the Big, Big Screen, where film columnist Benjamin McElroy recommends five screenings happening at Iowa’s independent movie theaters. Keep scrolling for the full list of this month’s big screenings. The Holiday (2006) Directed by Nancy Myers Kate Winslet is approached by more mothers and more daughters […]

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