Chris Offutt lives on a hill outside Iowa City. His driveway looks like it will be impossible to shovel during the winter, but it is otherwise a nice home, calm, the kind of place you would imagine a writer would live. There’s a 10-foot cactus that a student gave him. It fills the entire living room window. There are turtle shells on a shelf, and a huge hornet nest hanging in his office. At his dining room table sat a notebook and a draft of his next project.
William Lowell
For over half a century, the Aerohawks have pushed their hobby to new heights — and entertained Iowa City Landfill patrons
If you jump on Melrose Avenue and drive west out of Iowa City, you’ll pass Chatham Oaks, the historic Poor Farm and the National Reserve base. The speed limit is 35 mph, but I’ve never seen anybody go less than 50. You’ll know the dump is coming up when you see huge flocks of birds […]
Worth a Rewatch: Say hello to ‘Scarface’ (1932), a blood-soaked tribute to Al Capone nearly eviscerated by censors
Welcome back to Worth a Rewatch — new reviews and reevaluations of old films featured at Iowa’s nonprofit cinemas. Think of it as a small historical adventure, an investigation of an artifact and perhaps, the way meaning has changed over time. Today we look at Howard Hawk’s 1932 gangster magnum opus Scarface, which the Bijou Film Board will be screening at FilmScene this weekend.
Worth a Rewatch: A Black American filmmaker shook up the French New Wave with 1967’s ‘The Story of a Three-Day Pass’
The Story of a Three-Day Pass was awarded the critics’ choice award at the 1967 San Francisco International Film Festival, and all of a sudden Melvin Van Peebles found himself in a position that was almost unbelievable. He was a Hollywood darling. A decade before, when Van Peebles went looking for a job in Hollywood, […]
A fashionable writer from Iowa City inspired silent films and tabloid news
The paths in Hickory Hill Park were covered in leaves, and Oakland Cemetery was full of deer — whole families, plodding in the grass, lying down — when my wife and I began our search. We’ve walked through there so many times, but coming with a mission, it seemed that we’d hardly seen any of […]
Worth a Rewatch: ‘The Idiot’ (1951) is a Kurosawa deep-cut from a Dostoevsky superfan — and an idiotic film studio
Akira Kurosawa seems keenly aware of the improbability of translating literature into film, especially in the case of Dostoevsky, who Kurosawa calls more psychological than visual. But Kurosawa wanted to make The Idiot.
FilmScene is highlighting a 30-year-old French film inspired by the murder of an immigrant by police
In April of 1993, in the 18th arrondissement of Paris, Makomé M’Bowole, along with two of his friends, was chased down at 4:30 a.m. carrying 120 cartons of Dunhill Cigarettes. His friends were released later in the morning, but M’Bowole was not. Twelve hours after his arrest, inside the 18th Arr. Police Precinct in Paris, he was dead. Director Mathieu Kassovitz was 25 years old when Inspector Compain was on trial for the murder of M’Bowole. Kassovitz would have heard the narrative.

