Advertisement

Deconstructing the Iowa Barn



The Johnsons kept eight or 10 milk cows in the barn. They sometimes kept pigs, too, but cows suited the barn best. They milked the animals by hand. Later, they skimmed the cream and sent it to the local creamery for butter or ice cream, saving the remaining milk for the hogs.

That was 1950.

Farm life has changed radically since those days of hand-milking. Census of Agriculture data shows the number of farms, especially the number of family farms, is steadily shrinking. Iowa has fewer farms, and fewer farmers who can make their living solely from their land.

Today, three of the four walls are almost entirely gone. A patchwork pattern of sunlight shines through the holes in the roof, and the second floor is no longer safe for the play the current owner, Terry Johnson, remembers occurring there.

The barn—previously the archetypical American farm’s most important structure, often built before the house because of its essential role in securing the homesteaders’ livelihood—is having a bit of an identity crisis.

Massive prefabricated steel structures that fit today’s industrial-sized agriculture have replaced hand-built wooden structures as the functional building of choice, and farm owners like Johnson are left not knowing quite what to do with that crumbing building in their backyard.

“If you look at that side,” Johnson says, pointing, “that corner’s gone, and the next two posts are gone, that corner’s gone, and yet that roof is still there. Why this whole thing hasn’t fallen, I don’t know.”

Johnson, 66, has lived on his family’s farmstead near the small town of Oasis, just off of the Herbert Hoover Highway between West Branch and Iowa City, for all but six of the last 54 years. Retired from his engineering job, he continues to farm his family’s 160 acres while living in the same house that his grandparents did. But Johnson says the barn just couldn’t withstand the changes in farming.

“This was a very usable barn when I was growing up, and I still used it until about 1991,” Johnson says. “Once I quit raising livestock there was no use for it really, even for storage, because it was small. Machinery’s bigger now. It would have been nice to restore the barn, but there’s a lot of expense. If there’s not livestock, there’s not much use for it.”

***

“Cultivators of the earth are the most valuable citizens,” wrote Virginia landowner Thomas Jefferson, the founding father most often linked to strong support of agriculture, in a 1785 letter to John Jay, the country’s first Chief Justice. “They are the most vigorous, the most independent, the most virtuous, and they are tied to their country and wedded to its liberty and interests by the most lasting bands.” In another letter, dated 1787 to James Madison, Jefferson again expressed his views on agriculture: “I think our governments will remain virtuous for many centuries; as long as they are chiefly agricultural.”

Since the nation’s founding, Americans have always believed that the success of their country is intrinsically linked to the success of its farmers—and, Iowa Barn Foundation founder and President Jacqueline Andre Schmeal would argue, to their buildings.

Curious what's happening this weekend? Sign up here to stay in the know.

“Barns are about people—the people who worked in them, the people who built them, the people who visited them,” Andre Schmeal says. “Just imagine Iowa without any barns. To me, they are our heritage, and they are symbols of hard work, the American dream, integrity.”

The Iowa Barn Foundation, a nonprofit organization dedicated to the preservation of Iowa’s rural buildings, offers matching grants to owners who wish to restore their barns. Schmeal estimates the foundation has awarded roughly a million dollars to barn owners throughout Iowa since it began in 1997.

But some feel the Iowa Barn Foundations grants can be restrictive. Ilene Lande and her husband, John McNutt, live on a farm less than a mile from Terry Johnson’s. Like Johnson, the McNutt farm has been in the family for many years. McNutt’s great-grandfather, a stonemason, built most of the farm structures at the turn of the 20th century.

When the foundation on Lande’s older barn began to give out, she applied for an Iowa Barn Foundation Grant to repair it. She withdrew when she found out she would have to shingle the roof with wooden shakes—the traditional material—rather than use the steel she preferred.

“Shakes are hideously expensive, a terrible fire hazard, and they don’t last,” she says. “If you go up there every five years and swap linseed oil, they’ll last maybe 25 years, whereas a steel roof can last for 50 years, and even if you don’t do anything to the barn, a steel roof will protect it for a generation or two.”

In Lande’s mind, there is a distinction between historical conservation and practical restoration. Her barns, she says, are interesting, but she wants to be able to use them—full-blown historical accuracy is not her top priority.

Lande, who has a Ph.D. in microbiology, runs a small biotech business out of her two barns, which now house a small flock of between 20 and 50 sheep. By injecting the animals with a protein that prompts the generation of antibodies, Lande manufactures antiserum in the sheep’s blood. She draws the blood and sends it to research centers, where it serves as a tool in experiments to study diseases and search for their cures.

“When I started this business, I was looking for something that I could do at home, with the facilities I had on site, without a lot of capital outlay to get them ready,” she says. “We can’t afford to make all barns museum pieces. Hardly any of us even have any use for them at all.”

***

Despite efforts of those like Andre Schmeal and Lande to preserve or repurpose barns, the vast majority of Iowa farm structures simply sit like Terry Johnson’s barn, dilapidated and slowly decaying.

Iowa State students Zach Brown, Dustin Harford, Nick Lindsley, John Wachtel, and Kurtis Wolgast are deconstructing such a barn near Boxholm, Iowa, a town of about 200 people less than an hour northwest of Ames, for their senior project.

But in the process they are illuminating to the structure’s history and the human activity that occurred in the barn—in essence, preserving the barn through photographs, film, written histories, and personal engagement.

Lindsley says that the idea for the project began when the group spent last spring abroad in Rome.

“We are looking at the barn as a ruin of Iowan culture, similar to the way aqueducts serve as a reminder of past Roman culture,” he says.

With this basic idea established, Lindsley posted an ad on Craigslist for a farm building or corn crib that needed to be torn down. Andy Ross replied the next day.

Ross, a self-employed jack-of-all trades (he owns a towing company, tills gardens, has a team of horses for parades and is raising turkeys this year), bought his Boxholm farm in 1995. For the first five years he and his family lived there, Ross kept a small flock of sheep in the barn. In 2002, the structure sustained wind damage, and in 2004, when Ross noticed it had begun to lean, they stopped using it. The foundation was rotten, and the cost to fix it would be comparable to erecting a new steel building.

“We’ve been talking about getting rid of it for about five years,” he said. “It wasn’t really unsafe; it was just kind of in the way.”

Rather than simply bulldozing Ross’s barn, the students first carefully prepped for its demise. Treating it like an archeological excavation site, they scraped the layers of dirt and manure from the floor to reveal the tools and artifacts from the past.

“The way I approached this was very similar to the way I would have done it when I was a kid,” says Watchtel. Everything they found was a treasure—tobacco tins, farm tools, whiskey bottles. As the group members dug, their understanding of the barn’s original use grew, as did their kinship with the men once used it.

The group displayed their excavation spoils in a March exhibit alongside photographs and fictional writings that revealed the depth of the group’s investigation into the barn’s history (they researched the property at the Boxholm Museum and conducted telephone interviews with its original owners).

After cleaning, the students began destructing the building piece by piece. By mid-March, they had dismantled most of the side paneling , leaving the roof to float on the building’s bare bones. Looking upward, bits of sky were visible through the gaps in the roof’s shingles—planned to create an appealing pattern of light on the floor. (“We know it’s got to come down, but before we do that, we’re playing,” Watchtel says. “There are lots of possibilities.”)

They peeled it apart like an orange, arranging the boards on the ground in order, the skin broken but the original shape still discernible. They cataloged each piece, marking it with a piece of white tape and a number/letter code.

As of late April, the barn still stood, though it was more skeleton than enclosure. The students intend to keep their promise to completely dismantle the barn, but right now they are focused on finishing up their individual projects before graduation.

They are thinking about tackle myriad topics: spatial relationships, historical discovery, the barn within the landscape, the barn as a container, interior space versus exterior space. But Mitchell Squire, an Iowa State University architecture professor and the group’s advisor, says that the students’ physical engagement with their subject is perhaps the endeavor’s most important aspect.

“The amount of labor that they have had to engage brings them into parallel with the kind of labor that existed around this barn in the first place,” he says.

Wolgast says their labors have given a voice to the barn, personifying it.

“From the beginning,” Wolgast says, “I’ve kind of seen this as if we’re almost prolonging the death of this barn.”

At the same time that they are killing the barn, however, they are reincarnating it. Their deliberate dismantling has led to a detailed history of the barn that would have been lost had it simply continued to decay unprovoked.

“All that that we’ve accumulated has become a sort of memory and life story of the barn, which is in essence the preservation of the barn,” Wolgast says.


Leave a Reply

Your email address will not be published. Required fields are marked *

Advertisement

40 Years Forward:

A Celebration of Empowerment & Hope

Deb Talan of "The Weepies" will begin our night of celebration with a story of survival, empowerment, and hope told through words and song. Join us in remembering our past and envisioning the future at the Coralville Mariott.

GET TICKETS

Friday, September 20 at 7:30 p.m.

For 18 years...

Little Village has been telling the truth and changing our little corner of the world.

If you can, help us head into the next 18 years even stronger with a one-time or monthly contribution of $18, or any amount you choose.

Advertisement

A collaboration between The Englert Theatre and FilmScene

STRENGTHEN
GROW•EVOLVE

Help us build the greatest small city for the arts in America—right here in Iowa City. Learn more »

Donate Today

Strengthen • Grow • Evolve is a collaborative campaign led by two Iowa City-based arts nonprofits, The Englert Theatre and FilmScene that seeks a major reinvestment to strengthen the arts through modern and historic venues, innovative programming, and new models of collaboration.

Little Village's
BEST OF THE CRANDIC

From Aug. 1-Sept. 30, cast your vote for your favorite places, people, eats and entertainment around the Cedar Rapids and Iowa City area.

Don't forget to explain your picks! The best answers will be published in LV's Best of the CRANDIC issue, out Dec. 3, 2019.