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Album Review: Holy White Hounds — Say It With Your Mouth

Holy White Hounds Say It With Your Mouth www.holywhitehounds.com Des Moines band Holy White Hounds are back with their second album. Say It With Your Mouth picks up where their 2016 album, Sparkle Sparkle, left off. Producer Brandon Darner, who produced that first record, is back at the helm as producer. Darner’s ability to make […]

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Album Review: Chuck Henderson — Christmas

Chuck Henderson Christmas Dear readers: For the purposes of this review, I broke one of my personal cardinal rules. I listened to Christmas music before Dec. 1. And then I listened again, and again, and again. And I liked it. Chuck Henderson’s Christmas, despite the name of the holiday gracing the title of the disc […]

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Album Review: Kevin Gordon — Tilt and Shine

As I write this, it has been one year since the passing of one of America’s greatest songwriters, Tom Petty. It’s appropriate, then, that I’m writing a review of another “songwriter’s songwriter.” And, like Petty, Kevin Gordon’s formative years were spent in the American South. […]

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Album Review: Ben Driscoll — Earthly Remains

Doing due diligence on Ben Driscoll — whose name I know mostly from live performances on KUNI FM — I turned up an article from 2015 in the Cedar Rapids Gazette that calls him a “former musician” and describes his Cedar Rapids woodworking business. Lucky for us, news of his demise as a musician is greatly exaggerated. […]

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Album Review: Younger — Night Milk

Listening to Night Milk, the latest album from Iowa City’s Younger (recorded at Magic Barn Studios, produced by Pete Becker and released by Little Village) I’m reminded of a time in the ’90s when it seemed that women everywhere were picking up guitars and making powerful and edgy new music. Record labels were signing them as fast as they could, and bands like the Breeders, Belly, Juliana Hatfield, Courtney Love’s band Hole, Veruca Salt, L7 and Garbage climbed the charts and were fixtures on video music channels. […]

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Album Review: Other Brothers — Born Out Of Tune

In April, KUNI’s Mark Simmet interviewed Des Moines Blues Rock trio the Other Brothers, who had just released their third album, Born Out Of Tune. He brought up the question of what to call their brand of music and decided it was classic rock. The conversation turned to how classic rock has gotten a kind of stigma based on the typical limited radio station song rotation, but that the sound of that music is making another comeback. Guitars are cool again and bands like the Other Brothers are are getting deserved attention from it.

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Album Review: Anthony Worden — Slouching Towards Tomorrow

AJ Worden’s Slouching Towards Tomorrow is inescapably tied to musical touchstones of the ’60s and ’70s, particularly Lou Reed and the Velvet Underground. It is wrong to say that his music is derivative of those influences, even as the listener can’t escape noticing them. Like Borges’ poet Menard, his project is a fresh creation in a new context; instead of 1965 New York, Worden lives in 2018 Iowa.

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Album Review: William Elliott Whitmore — Kilonova

Will Whitmore has been performing and making albums since the turn of the millennium, always faithful to his own idea of what makes a song that sticks. He writes songs that are simple and devastating. His voice, as it did even when he was in his 20s, sounds not just older than his years, but as though it comes from a different century. […]

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Album Review: King of the Tramps — Wild Water

The Tramps’ latest album, Wild Water, returns with the southern rock-influenced formula the band is known for — dual Allman Brothers-style guitar leads, searing slide, driving drums and lots of groove. Partridge draws from his small town Iowa experiences, yet delivers songs I think can resonate with anyone. But, while I wouldn’t call Wild Water a political record per se, it’s clear that Partridge has had some hot button issues on his mind. […]

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