Album Review – Dream Thieves: Ocean Spell

Dream Thieves
Ocean Spell

While Americans were going nuts for Blondie, The Cars and a plethora of other skinny tie bands in the New Wave ‘80s, an underground scene sprang up in the U.S. and Europe, centered around the use of the then-new synthesizers and drum machines. Gary Numan, Depeche Mode and New Order were the commercially successful tip of the iceberg, but many other bands never broke out of their local art and music scenes. Recent re-issues, like The Minimal Wave Tapes compilation from Stone’s Throw, and Camino Del Sol by Antena, are at last exposing the wider world to this music.

Which brings us to Ocean Spell, Dream Thieves’ debut album, which echoes ‘80s synth-pop but incorporates it into a thick, shimmering shoegazer wall of sound, fronted by Andrea Sheehan’s pure vocal tone. Andrea’s voice brings to mind Mazzy Star’s Hope Sandoval, but also ‘60s French icons like Jane Birkin and France Gall.

Thus, Dream Thieves is almost perfectly optimized for this post-modern moment, standing on the shoulders of just the right giants to maximize their cool. But that would only amount to surface sheen without great songs. Ocean Spell contains nothing but.

On “Upside Down,” frenetic drums and soaring synths couch an enjoyably devious vocal melody. The title song builds up from spacious dub echoes into a full-on wall of sound. It’s the kind of deeply emotional dance-pop that New Order seems to have forgotten how to make. Ocean Spell is both dreamy and danceable, which has always been a perfect combination.