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Album Review – Megan Buick

Megan Buick’s self-titled album feels like the aural equivalent of Jan Svankmajer’s surreal, stop-motion film Alice—a fractured take on the Lewis Carroll classic. Svankmajer’s imaginative recreation of Wonderland constantly treads the fine line between delightfully imaginative and eerily unsettling; Buick’s lo-fi psychedelic folk embraces a similar duality.

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