Iowa Supreme Court ruling on Coe College’s Grant Wood paintings costs school’s endowment more than $5 million

The Iowa Supreme Court ruled last week that Coe College in Cedar Rapids can’t include their seven Grant Wood paintings among the college’s assets, which lowered the value of Coe’s endowment fund by $5.4 million. The seven paintings — “The Fruits of Iowa” — were originally a mural that businessman Eugene Eppley commissioned Wood to […]

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“Art in Public” meets #MeToo at 6th Biennial Grant Wood Symposium

This year, the University of Iowa Grant Wood Symposium — now in its sixth biennial iteration — tackles the topic of public art. The symposium, a program of the UI Office of Outreach and Engagement, presented by the Grant Wood Art Colony, seeks to engage with Wood’s legacy, this year by exploring one of his greatest passions. […]

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‘One of the true icons of American art’: Cedar Rapids is hosting two major exhibitions of Edward Hopper’s artwork

Thanks to an exchange with the New York’s Whitney Museum, CRMA will present two Edward Hopper exhibitions, opening Saturday. Visitors may enjoy the exhibits for free on Saturday.

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Grant Wood works from the Cedar Rapids Museum of Art and Coe College head to New York’s Whitney Museum

Thirty Grant Wood pieces, three from Coe College and 27 from the Cedar Rapids Art Museum, will journey to New York City for an exhibition in the Whitney Museum of American Art, where they will hang along with some of Wood’s other works, including the iconic “American Gothic.” […]

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‘The Wood Problem’ explores the tension between Grant Wood and the University of Iowa

On Thursday, Nov. 9 at 6 p.m., a portion of The Wood Problem will be presented as a staged reading at the Cedar Rapids Museum of Art. The reading will be followed by a panel discussion with Bradley, Grant Wood Art Colony Founder Jim Hayes and University of Iowa Art History Professor Joni Kinsey. The event is free. […]

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Art City: Painting America in Paris

Art City

Paris in the 1920s was a hub of intellectual and artistic activity, luring artists from all over the world. Many American expats fled their homeland and its morass of economic troubles, institutionalized racism and strict censorship laws to Paris’s rarefied atmosphere, holding out the promise of artistic freedom and intellectual openness. Two influential American painters […]

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