Posted inArts & Entertainment, Astrology

Astrology forecast for May 3-16

TAURUS (April 20-May 20): When poet Wislawa Szymborska delivered her speech for winning the Nobel Prize, she said that, “Whatever else we might think of this world — it is astonishing.” She added that for a poet, there really is no such thing as the “ordinary world,” “ordinary life” and “the ordinary course of events.” In fact, “Nothing is usual or normal. Not a single stone and not a single cloud above it. Not a single day and not a single night after it. And above all, not a single existence, not anyone’s existence in this world.” I offer you her thoughts, Taurus, because I believe that in the next two weeks you will have an extraordinary potential to feel and act on these truths. You are hereby granted a license to be astonished on a regular basis.

Posted inFeatures, Opinion

Opinion: What does it mean for a straight white man to become aware of sexual assault?

Meditation practices distinguish attention and awareness. One simple way to distinguish them is to understand attention as a mental or conceptual activity — one’s thoughts — and awareness as what falls outside of the mind — perceptions, sensations, attunements. President Trump issued a proclamation on March 31 declaring April Sexual Assault Awareness Month — the […]

Posted inArts & Entertainment

UNESCO City of Literature benefit to feature William Elliott Whitmore, Iris DeMent, the Recliners and more, all covering Bob Dylan

This Wheel’s on Fire, a benefit concert for the Iowa City UNESCO City of Literature, will be at the Englert Theater this Friday, April 28. Keeping in tune with the legacy of Bob Dylan in both music and literature, southeastern Iowan musicians will be performing exclusively Dylan covers from all eras of his discography — with the players reinterpreting the flavors and inflections of the legendary folk artist.

Posted inArts & Entertainment

Tight, entertaining ‘Colossal’ makes its own rules

Spanish filmmaker Nacho Vigalondo’s latest film, Colossal, is at once an intimate substance abuse drama and a kaiju-style creature feature. Much like his previous feature films, including Timecrimes (2007) and Extraterrestrial (2011), Vigalondo is able to strike this seemingly-odd balance with surprising grace simply by setting a very real, very interior story against a distant backdrop of intense science fiction.

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