Posted inArts & Entertainment

Review: Private school parents clash over uncomfortably familiar issues in ‘Eureka Day’ at Riverside Theatre

Jonathan Spector’s 2025 Tony Award-winning Eureka Day, with its sharp humor and painfully familiar questions about privilege, progressivism and public health, has found a lively and incisive staging in Iowa City. Under the direction of Kathleen Johnson, Riverside Theatre’s production embraces the play’s contradictions with a mix of warmth and unease — a balance that, […]

Posted inAlbum Reviews

Album Review: Anchoress — ‘Sugarsong’

Sugarsong by Anchoress. Iowa has been the birthplace of some incredible heavy music acts. Marshalltown’s Modern Life Is War are melodic hardcore royalty. Iowa City wrought Aseethe and their punishing doom metal and Dryad with their outstanding crusty black metal. Out of Dubuque, Telekinetic Yeti make stoned doom metal. Muscatine’s Closet Witch, by all rights, […]

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An art writer with a true crime obsession, Rachel Corbett used her new book to delve into the dark history of criminal profiling

In her latest book The Monsters We Make, author and journalist (and Iowa native) Rachel Corbett dives deep into the dark history of criminal profiling as “a tool for social control,” our collective appetite for true crime entertainment and her own personal history with, as she puts it, “an early father-figure [who] committed an unconscionable act of violence.”

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‘There is no escapism here’: Cronenberg scholar Violet Lucca on the auteur’s enticing repulsiveness, and how his most ‘offensive’ films are being reevaluated

Cedar Rapidian and University of Iowa alum Violet Lucca’s new book David Cronenberg: Clinical Trials steps past the usual canned controversies, and uses Jungian theory to structure fresh analysis on identity, potentiality and art’s place in human experience. For films often marked as being cold, flagrant or unapproachable, Lucca’s book is like a good friend next to you in a theater…

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Little Big Screen: A Spooktober double feature of ‘Rear Window’ spoofs that (technically) take place in Iowa

The official Rear Window remake isn’t worth watching, even if you could see it for free through the floor-to-ceilings in a stranger’s living room. There’s a lesson in this, I think, considering the original is such an indulgence in unwanted glances. Alfred Hitchcock set his film in the big city, of course, where apartment buildings were closer than neighbors. But beginning in the 80s, amid the decade’s at times romantic, at times cynical, fascination with middle America, films that amounted to “Rear Window but with …”

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Review: ‘Videoheaven,’ a genre-defying film essay at Refocus, stirred and challenged Iowans’ rental store nostalgia

Do you remember your favorite video store growing up? Director Alex Ross Perry, who recently released his experimental documentary film Pavements, chronicles the now virtually extinct rental shop industry in Videoheaven, a three-hour film that screened at the Refocus Film Festival earlier this month. Fascinatingly, it’s not really a documentary. Videoheaven is uniquely devoted to studying […]

Posted inArts & Entertainment

Review: Iowa Stage Theatre Company makes deft use of long monologues and long silences with Sam Shepard’s ‘Buried Child’

Most of the characters in Buried Child do not exist. Not just because the players in Sam Shepard’s 1960s-set American drama are fictional, but because nearly every character, at some point, has the desperate need to assert that their existence is factual and their perspective true. By the time the play ends, one wonders how […]

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