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Review: Dreamwell’s ‘Design for Living’ is a tangled comedic tale

Noël Coward’s Design for Living is a play that demands a deft balance of wit, tension and vulnerability — qualities that are central to an exploration of love, freedom and emotional tangles. Dreamwell’s recent production, directed by Will Asmus, certainly attempts to bring Coward’s dark comedy to life, but the results are, at times, uneven, leaving the audience to question whether the fault lies with the production or the material itself.

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Review: The road to Hell runs through Hancher for ‘Hadestown,’ a grim but crackling musical tragedy

A haunting hymn to love, sacrifice and the inescapable grip of fate, Anaïs Mitchell’s Hadestown arrived at Hancher Auditorium with all the mythic grandness one would expect from a Tony Award-winning musical — though the production occasionally wrestled with the very myth it sought to reimagine. From the moment the orchestra’s brooding, blues-infused tones seeped into the […]

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Theater Review: ‘Dancing at Lughnasa’ from Coralville’s City Circle Theatre Company

Before now, I wasn’t familiar with the 1992 Tony award winner for best play, Dancing at Lughnasa, or its playwright Brian Friel, who has been called “Ireland’s Chekhov.” I also must admit that I’ve attended Coralville’s Center for the Performing Arts and its resident theater company, City Circle’s productions, far less than some of the […]

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‘Hedwig and the Angry Inch’ sees Willow Creek Theatre Company bask in genderfuckery

I write this review of Willow Creek Theatre Company’s production of Hedwig and the Angry Inch (John Cameron Mitchell, text; Stephen Trask, music and lyrics) with the music of Tomato Boy playing in the background on Bandcamp. There’s not much available; a few singles, a collection of three titled birthday demos. The earliest was added […]

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