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Playwright Emily Bohannon on trusting Riverside Theatre with ‘The Fiancé,’ inspired by her broken engagement

After more than a decade, Emily Bohannon, a graduate of the Juilliard Playwrights Program, finally got to see her play, The Fiancé, produced for the first time in Iowa City’s Riverside Theatre. The world premiere capped Riverside’s 2025-2026 season with a run of performances led by two of the theaters founders, Jody Hovland and Ron Clark. LV sat down with the playwright and screenwriter “dedicated to finding the deep humanity in complicated people.”

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Review: Private school parents clash over uncomfortably familiar issues in ‘Eureka Day’ at Riverside Theatre

Jonathan Spector’s 2025 Tony Award-winning Eureka Day, with its sharp humor and painfully familiar questions about privilege, progressivism and public health, has found a lively and incisive staging in Iowa City. Under the direction of Kathleen Johnson, Riverside Theatre’s production embraces the play’s contradictions with a mix of warmth and unease — a balance that, […]

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Aaron Pang isn’t brave. But he’s currently sharing stories from his sex life at the Edinburgh Fringe festival.

Only a day removed from a red-eye journey from Iowa City to Edinburgh, Scotland, Aaron Pang, as he puts it, is a sleepy baby. Pang and crew did that thing you try to do when traveling; power-through a night-turned-day sans sleep, hoping that your circadian rhythm can catch-up to the change in time zones. But “the time difference is a bitch,” Pang shares.

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Review: A fence between neighbors sparks polite, passive aggressive chaos in Riverside’s timely ‘Native Gardens’

Native Gardens opens to the strains of “Las Casitas del Barrio Alto” by Victor Jara. Keen-eared listeners will recognize the melody of Malvina Reynolds’ “Little Boxes” and while the Spanish iteration was written to critique socioeconomic disparities in Chile, it contains the same critique of upper middle class posturing as it’s sister song.

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Review: Riverside Theatre’s ‘POTUS’ is a smart, chaotic, wig-tastic political farce starring seven women

Closing out the political chapter of Riverside Theatre’s 2024-2025 season, following Derrick Wang’s opera Scala/Ginsburg, is Oregonian playwright Selina Fillinger’s POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive. A fast-paced political farce set in the White House, the play follows seven women working behind the scenes to manage a […]

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‘Twelfth Night'(s): Two Iowa companies stage Shakespeare’s gender-bending rom-com as First Folio turns 400

It’s been 400 years since William Shakespeare’s First Folio was published. Released in 1623, the First Folio collected 36 of Shakespeare’s plays under the title Mr. William Shakespeares Comedies, Histories & Tragedies. Because of this collection, upward of a dozen plays that may have been lost to history were able to live on, including Twelfth […]

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Set and staged in Iowa City, Riverside’s two-woman play ‘The Roommate’ explores the desire to burn it all down and start over

Though the play takes place in Iowa City, and was written by an alumnus of the University of Iowa Playwrights Workshop, this marks the first time The Roommate has been staged in Iowa City, according to Adam Knight. “I knew the story [before moving here], I knew it took place in this quiet, Midwestern town, […]

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