Sensi’il Studios, the brainchild of Des Moines artist Basi Affia, is the only Black comic book publisher in the states of Iowa and Nebraska. Pyramid Theatre Company, meanwhile, is Iowa’s first Black theater company. Before he founded Sensi’il Studios in 2022, Affia was a critically acclaimed performer in two of Pyramid’s stellar early productions, A […]
Pyramid Theatre Company
Two Des Moines theater companies, founded a century apart, join forces to stage August Wilson’s ‘The Piano Lesson’
When last year’s revival of August Wilson’s 1987 play The Piano Lesson closed on Broadway on Jan. 29, it was the highest grossing show that week. In fact, the production, which opened Oct. 13, became the highest grossing play revival and highest grossing Wilson play on Broadway. Wilson is regularly among the most-produced playwrights in […]
‘We never do anything remarkable just for ourselves’: ‘Buffalo Women’ opens on Juneteenth
Three minutes to curtain on June 19, 2022, the Kate Goldman Theatre at the Des Moines Playhouse was mostly full. The blackbox was decked in a sparse yet effective smattering of western themed set pieces and there was an excited hum emanating from the audience about what was to come. Buffalo Women, which was produced […]
‘Buffalo Women’ offers a new conversation on Black female camaraderie, set against a Juneteenth backdrop
Buffalo Women, which opens this Sunday, Juneteenth, is a new play by Omaha-based playwright Beaufield Berry. Subtitled “A Black Cowgirl Musical Dramedy,” the play tells the story of how five Black women, including interpretations of historical figures, find solidarity with one another and use the strength of sisterhood to overcome adversities of motherhood, racism, new-found […]
Playwright August Wilson’s life takes center stage in Riverside Theatre’s latest production
How I Learned What I Learned is a one-man show, originally performed by Wilson himself, and takes the audience on a tour through his life as a poet and young writer in Pittsburgh, as well as his friendships, experience of racism and more. Wilson offers himself up with a stark vulnerability

