Review: MONO constructs a sonic canvass at Gabe’s

MONO returned to Iowa City after just over a year touring on 2016’s Requiem for Hell. The crowd was oddly thin, but appropriate: it was perhaps the quietest that I had heard Gabe’s during a show. The band was illuminated with a quiet red light, and throughout their set the band seemed to play around its steadfast glow. The light was warm, and evoked a sense of patience that let each band member’s instrument enter into, and exit from, each song. The distinct contribution of each performer could be acknowledged and recognized. Both the band and the audience were equally engaged at the occurrence of sound as it sprang forth from the stage: All present were enraptured at its production, in its occurrence. […]

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