“I bet you all thought you were gonna get John David Washington up here, but you got me,” Ron Stallworth began, prompting laughter with a joke about the actor who played him in last year’s BlacKkKlansman, within two minutes of his arrival on the Englert Theatre stage.
BlacKkKlansman
‘BlacKkKlansman’ collapses past and present into a powerful statement of black reality
When I went to see ‘Sorry to Bother You,’ directed by Boots Riley, last month, I had thought it was one of the best pieces of absurdist cultural commentary I had seen, even considering Childish Gambino’s “This is America.” Including Spike Lee’s newest, ‘BlacKkKlansman,’ we now have three pieces of art that provide a stark exposition of the racist nature of American power.

