Subatlantic is not a band that would be described as impatient. Although they have been together since 2009, playing occasional gigs that secured their place on the Quad Cities music scene, they just released their debut EP, Not Louder, But Closer, in 2015. […]
John William Watkins, an Iowa native living in New York City, showcases his songwriting and singing in minimal acoustic arrangements on The Oracle EP, released June 21. His lyrics deal with evergreen topics of love and loneliness, from his point of view as a gay man. Watkins sings blunt, personal lyrics in a gentle, quavering voice
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If Des Moines R&B combo the Maytags had followed up their 2016 album Love Lines simply by revisiting their proven formula, it would still have been a welcome chapter in their developing story. Love Lines was a standout in a landscape of retro R&B albums. […]
Motion and Stillness by Jarrett Purdy Garrett Purdy is a pianist, a composer and a recent graduate of the University of Iowa’s School of Music (and through the end of July, he’s an intern at Hancher Auditorium, where I am on staff). His debut album, Motion & Stillness, is entirely made up of his jazz […]
Sometimes, a short, powerful album free of forced lightness is exactly what you need. Bonne Finken gives just that. Her junior album tells the artist’s truth — no sugar, no cream. Gauntlet, out July 7, is refreshing in its bitter yet hopeful honesty. […]
Listening to Land Of Blood and Sunshine is being taken on a journey through a fantasy world of damaged misfits moving through surrealist landscapes. From their first album, 2009’s Magick Carcass Ride, through their last, 2015’s Lady and the Trance, they’ve continued to spin fables in song form. […]
Dan Tedesco credits rock artists Eddie Van Halen, Paul Simon and the Beach Boys as major introductory influences, but he leans toward folk undertones on his latest release, American Darkness. […]
The Diplomats of Solid Sound are back with a new slab of soul! The line-up has changed a little since 2010’s fantastic What Goes Around Comes Around, but the core of the band is still Doug Roberson on guitar; Nate “Count” Basinger, who flew up from Austin to provide his signature Hammond B3 and piano; and Eddie McKinley on sax. […]
The first thing I notice about Eric Paul’s Killer EP is guitar tone. In particular, the opening track, “Paradise of Sin,” has a wide stereo guitar sound, subtly overdriven. It’s the kind of electrified guitar sound that gives you that warm feeling when you hear it at concert volume, combined with the punchy drums that bob and weave around the guitar parts. […]
Ohio native MC Animosity has been making music in Iowa City since 1998. He currently serves as lead vocalist for the Uniphonics, who have opened for the Roots, Wu-Tang and many more amazing hip-hop, jazz and rock-influenced artists. His latest project, ’79 Til Now, Vol. 1, with production from DJ Johnny Sixx […]
Out May 17, Throes, the new album from Iowa City’s metal mavens Aseethe (their second since signing to Thrill Jockey), is overflowing with emotion. This album is exhausting. The opening title track is a nine-and-a-half-minute relentless epic. Aseethe pulls no punches, demanding full investment and offering no quarter. […]
There is a long-standing tradition in jazz of performing pop standards, and those songs became kind of a lingua franca for jazz musicians. Iowa City jazz bassist and vocalist Blake Shaw — whose latest album, it happened., is a collection of standards — explained the tradition […]
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