Advertisement

Album Review: Piss Exorcist — Piss Exorcist

From the depths of the Eastern Iowa punk scene comes Piss Exorcist’s self-titled album, released this past February. The Piss Exorcist identifications on Bandcamp range from hardcore punk to thrash music, but their Facebook claims they produce “punk bullshit,” which couldn’t be a more fitting classification in the most favorable sense. […]

Read More…

Album Review: Koplant No — Elker

The opening track “Before We Go” on the reunited Koplant No’s new album “Elker” is a compound of skittering synth decay and dripping percussion flitting around a lone trumpet carrying a mournful melody. It’s a track that would fit perfectly on a Jack Lion record — which seems obvious when you consider that fellow Iowa City group Jack Lion shares Brian Lewis Smith on trumpet and Drew Morton on bass.
[…]

Read More…

Album Review: Dustin Matos — Layers

“Layers” is storytelling symphonic rock at its best. There’s an epic, synth-y feel that could set it as the soundtrack to an ’80s fantasy film — but the narrative is more concise. These aren’t the kind of instrumental tracks that exist to travel alongside someone else’s story. They’re self-contained tales.
[…]

Read More…

Album Review: Homogenized Terrestrials — Suspension

Phillip Klampe is a veteran of the dark ambient scene, self-releasing his first cassettes in the mid-1990s. His nom de ambient is Homogenized Terrestrials, which is a nod to his similarly long career as a grocery store dairy department manager. […]

Read More…

Elite 8: The top albums of 2017

Here is another year of albums to consider. It’s silly to rank music at all and also fun in that it ignites passionate conversations about the art that has moved us (for better or worse) in the last year. Please accept this list as an invitation to hear something new, and introduce us to something new by sending your own list of wonderful musical moments — albums, songs, shows, etc. — from 2017. […]

Read More…

Album Review: Har-di-Har — we will will you

‘we will will you’ isn’t about Julie and Andrew Thoreen’s separation as couple and band but rather the subtly uncharted part where they consider coming back from it. The band goes on to describe the album as a record that “invites us into the process of re-commitment.” […]

Read More…

Album Review: The Host Country — The Host Country

The Host Country started as a Cedar Falls-based duo with Diana Weishaar and Ty Wistrand supplying tasteful piano and guitar settings to generous pop songs that they could really lay into hard in live settings. Since those early days the two have been vocal soul-mates with perfectly complementary timbres that make their songs ring. […]

Read More…

Album Review: Ryne Doughty — Date Night

Des Moines-native singer-songwriter Ryne Doughty approached the production of his latest album, Date Night, with the desire to step away from the more stripped-down folk sound of his 2013 album, Under The Willow Tree. “I love that last album and the sound but I just wanted to do something different and really bring these songs to life,” he explained. “All of the songs are still songwriter based, but with more instrumentation and energy.” […]

Read More…

Album Review: House of Large Sizes — Idiots Out Wandering Around (Reissue)

It’s impossible to talk about the history of Iowa modern rock without talking about Cedar Falls band House of Large Sizes. During their 17-year run (1986-2003) they released eight albums, including a very brief stint on Columbia Records and a bunch of singles. Since 2003, HOLS has sporadically come out of retirement to play shows in the area to eager fans; this month HOLS put out its first release since 2003’s self-titled album — a gorgeous, expanded, two-LP color vinyl reissue of their 1999 live album. […]

Read More…