Posted inArts & Entertainment

Review: An unforgettable night at Gabe’s, courtesy of Seth David, Oh My God Am I In Public Right Now!? and Track Zero

Seth David’s appearance at Gabe’s was part of The Englert’s Track Zero initiative, a concert series launched in the fall of 2023 designed to “introduce Englert audiences to fresh, rising artists who are defining the next wave of alternative music.” The brainchild of The Englert’s former Programming Coordinator, Elly Hofmaier, Track Zero has already delivered some memorable shows to Iowa City.

Posted inArts & Entertainment

Englert programmer Grace Merritt: ‘The arts are the exact antithesis to what’s going on nationally’

Grace Merritt came to Iowa City for college and stayed for the vibrant arts scene. “Growing up, I didn’t have that kind of music community,” she said. “Music in my hometown is like, ‘Do you want to go see the high school’s band?’” Merritt describes her hometown of Naperville, a western suburb of Chicago, as […]

Posted inCommunity/News

Physical media is (still) king at The Source, Davenport’s storied two-story used bookstore

Started by George Pekios and passed down through several generations to longtime owner Dan Pekios, The Source has recently been moving out of the family’s ownership. Briefly owned by a loyal employee, it has now been sold to Stephen Zbornik and Anne Brown, a couple who’s passion for doing things has carried them through many walks of life.

Posted inArts & Entertainment

David Lynch’s Iowa odyssey

David Lynch, who was called “America’s first surrealist filmmaker” by actor Dennis Hopper, died in Los Angeles at age 78 on Jan. 16, four days shy of his 79th birthday. Known for films such as Mulholland Drive (2001), he gained a new audience during the COVID pandemic as the internet’s favorite weatherman, streaming daily reports from “Here in sunny L.A.” on his YouTube channel.

Posted inArts & Entertainment

Review: A fence between neighbors sparks polite, passive aggressive chaos in Riverside’s timely ‘Native Gardens’

Native Gardens opens to the strains of “Las Casitas del Barrio Alto” by Victor Jara. Keen-eared listeners will recognize the melody of Malvina Reynolds’ “Little Boxes” and while the Spanish iteration was written to critique socioeconomic disparities in Chile, it contains the same critique of upper middle class posturing as it’s sister song.

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