Posted inArts & Entertainment

FilmScene’s featured Oscar contenders continue with ‘Beautiful Boy,’ a familiar but effective addiction narrative

You know this story. Whether or not you’ve read David Sheff’s memoir Beautiful Boy or Nic Sheff’s memoir Tweak, you’ve likely heard — or lived — the film’s central scenario: a parent tries desperately to save their drug-addicted child, but finds his best efforts further alienate or enable the child’s behavior; the child, meanwhile, struggles […]

Posted inCommunity/News

Guns, fascism, infighting and couch-surfing: Researcher Serena Tarr recounts a year studying the alt-right

On March 4, 2018, after following around Richard Spencer and his alt-right entourage for months, Serena Tarr found herself in Michigan for the Foundation for the Marketplace of Ideas conference, organized by Kyle Bristow, the white nationalist attorney who used to sue colleges that rejected requests for Spencer to speak. But due to public pressure and possibly death threats, Bristow backed out at the last minute, and the “conference” was relocated to a house in Ann Arbor. Tarr followed.

Posted inCommunity/News

Hawkeye fans considering a gold-out at Kinnick Saturday in honor of murdered ISU student (Updated)

Nearly two months to the day after University of Iowa student Mollie Tibbetts went missing during an evening run in Brooklyn, Iowa, the body of Iowa State University student Celia Barquin Arozamena was found at a golf course in Ames. Faced with another tragedy, Iowans have proposed turning to football — and a common color — to express their grief and solidarity.

Posted inArts & Entertainment

‘Sorry to Bother You’ is weird, cool, but not quite wonderful

There’s something extraordinary about Sorry to Bother You. Maybe it’s rookie writer-director Boots Riley’s unique take on science fiction. Maybe it’s the timely discussion of the evils of capitalism and importance of labor unions. Maybe it’s the practical special effects, hearkening back to early sci-fi with a contemporary, satirical sheen. Maybe it’s Lakeith Stanfield’s stellar performance, or Tessa Thompson’s badass hair, make-up and wardrobe.

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