Advertisement

Album Review: Byrn Paul — Dual Wielder

If you are a fan of guitar virtuosity, don’t bother reading the rest of this review; just go buy this album. Byrn Paul has put in the hours of practice to become a master of the instrument. There’s nothing left out of Dual Wielder because it was too hard to play. If you’re a fan of math rock and the viola da gamba — and who isn’t? — this is the only album you can buy this year that scratches that itch. […]

Read More…

Album Review: Piss Exorcist — Piss Exorcist

From the depths of the Eastern Iowa punk scene comes Piss Exorcist’s self-titled album, released this past February. The Piss Exorcist identifications on Bandcamp range from hardcore punk to thrash music, but their Facebook claims they produce “punk bullshit,” which couldn’t be a more fitting classification in the most favorable sense. […]

Read More…

Album Review: Dizzy Bridges — Speakerphobe on Speakerphone

Hearing a tune like “Variations on a Heartbeat” is a bit like visiting an old friend. It’s the kind of skillfully addictive pop tune that has you singing along by the second listen. But for Dizzy Bridges, the solo project of Iowa City musician SJ Gonzales, that isn’t enough. […]

Read More…

Album Review: Peanut Ricky — I Think I Am Not Okay

A self-described sententious high school student, Jordan Adams (Conetrauma, Jailbus) was frequently skipping class and finding herself in Saturday detention, where she would spend her time in the art room. One day, when sorting through stacks of art prints as she usually did, a particular picture caught her eye. The dark photograph was of a blank wall that read “Peanut Ricky as a thunderbolt.” Adams, now 20 years old, has since released all of her solo music under the namesake. […]

Read More…

Album Review: Middle Western — When Your Demons are Underground and You’ve Got to Dig Them Up

When long-time Iowa City scene staple Dave Zollo and Lee County troubadour William Elliott Whitmore started performing together a couple years ago as Middle Western with members of Zollo’s band The Body Electric and Chicago guitarist Stevie Doyle, it seemed a natural fit. […]

Read More…

Album Review: Dustin Matos — Layers

“Layers” is storytelling symphonic rock at its best. There’s an epic, synth-y feel that could set it as the soundtrack to an ’80s fantasy film — but the narrative is more concise. These aren’t the kind of instrumental tracks that exist to travel alongside someone else’s story. They’re self-contained tales.
[…]

Read More…

Album Review: Homogenized Terrestrials — Suspension

Phillip Klampe is a veteran of the dark ambient scene, self-releasing his first cassettes in the mid-1990s. His nom de ambient is Homogenized Terrestrials, which is a nod to his similarly long career as a grocery store dairy department manager. […]

Read More…

Album Review: BEES — Shady Lady EP

The early 1970s was a dynamic time for country music. The old guard of ’50s and ’60s country artists started taking a backseat to the rise of artists crossing over with rock and R&B who took over the Top 40: artists like Glen Campbell, Mac Davis, John Denver, Elvis in his post-’68 Comeback period, Jerry Reed and J.J. Cale. […]

Read More…

Album Review: Pets With Human Names — Creature Comforts

Creature Comforts, the 2017 sophomore effort from Des Moines three-piece Pets With Human Names, is a tight, solid, confident rock and roll album. The band — Alex Nickeson, Andrew Pierson and Benton Schoenrock — recorded the 10 tracks at Flat Black Studios for a driven, polished disc that will make you want to throw it on repeat.
[…]

Read More…