“Sometime during the early 1980s,” intermedia artist Lloyd Dunn recalled, “a number of people in many different places suddenly understood that they could afford to become publishers, as photocopy shops began to appear in cities around the world.” In the years before the internet, artists, outsiders and other weirdos connected with each other through a […]
Ed Sanders grew up in western Missouri, in the small farm town of Blue Springs. After briefly attending the University of Missouri, he hitchhiked to the East Coast in 1958 to attend New York University. “I soon was enmeshed in the culture of the Beats,” Sanders recalled in his memoir, Fug You, “as found in Greenwich Village bookstores, in the poetry readings in coffeehouses on MacDougal Street, in New York City art and jazz, and in the milieu of pot and counterculture that was rising.” He also began volunteering at the Catholic Worker, a newspaper founded by activist Dorothy Day that was dedicated to social justice. […]
Richard Meyers landed on New York City’s Lower East Side in late 1966. Within a few years he had reinvented himself as Richard Hell and transitioned from poetry to punk rock. This blending of art forms was not unusual among the residents of the city’s dilapidated downtown neighborhoods, a topic that he and writer, photographer and actress Lisa Jane Persky will discuss during Making a Scene: A Conversation About Downtown New York City, a free event that I will moderate at the Englert Theatre during the Witching Hour Festival.
Part two of two. Read part one: A true history of fake news: The many identities of Benjamin Franklin The 2016 U.S. presidential election season unleashed new anxieties about “fake news” and other slippery forms of propaganda that have been enabled by our newfangled social media. However, media manipulation has a long history — one […]
Before the term “fake news” gained wide circulation during the 2016 presidential election season, deception had long been part of the U.S. media landscape. When Benjamin Franklin emerged as the publisher of the Pennsylvania Gazette, he used it to plant ironic satires, partisan potshots and other false stories. […]
Forty-five years ago — on Jan. 11, 1973 — the first reality series premiered on PBS, and television would never be the same. An American Family became an immediate pop culture sensation that was discussed by newspaper columnists, debated by television pundits and even taken seriously by respected scholars like Margaret Mead.
Grey Area, a joint venture by Flat Black Studios and White Rabbit clothing store, is an unusual new festival taking place just outside of Iowa City on Aug. 18 and 19. Featuring live music and a diverse range of multimedia programming, it’s a celebration of our local musical community. The festival will span Friday afternoon to late Saturday night, and is set outdoors (on-site camping is encouraged; bring plenty of water, bug spray and other necessities, as well as blankets or chairs to sit on). […]
“Lubbock or leave it,” the old saying goes, so Lowell Cross decided to leave the straight life behind for avant-garde adventures abroad. Born in 1938 and largely raised in that Texas town, this former University of Iowa music professor is a man of many unique firsts. Not only did he invent the modern laser light show (developed in part on the UI campus), but when Cross was a graduate student at the University of Toronto he collaborated with the paradigm-shifting composer and theorist John Cage. […]
Before George Harris III became Hibiscus and founded the genderfluid theater troupe the Cockettes, he put on shows with his family in Florida during the early 1960s. The oldest of six siblings — three girls and three boys, sort of an avant-garde Brady Bunch — George formed the El Dorado Players, named after the street they lived on in Clearwater, Florida.
“Hibiscus had real leadership qualities,” his youngest sister Mary Lou said. “He came out of the womb as the grand marshal. He was just like the leader of the parade — tons of ideas. ‘Let’s get it rolling. Let’s not even think!’” […]
In 2008, the Cool Kids were “bringing ’88 back,” channeling a stripped-down eighties boom-bap rap aesthetic for a new generation. “When we started,” Sir Mike told me in advance of their appearance at this year’s Mission Creek Festival, “I was about seventeen and Chuck was twenty-two.” This led to a series of acclaimed singles and albums, a burst of activity that began with their debut “Black Mags” and abruptly ended after their 2011 LP, When Fish Ride Bicycles. […]
For a band that was originally conceived as a goof, Younger has rapidly transformed into one of Iowa City’s best rock bands — exploding with energy, intricate arrangements, barbed lyrics and catchy hooks.
“We had talked about playing together for a long time,” drummer Sarah Mannix recalled. “I don’t think that we honestly believed it was going to be an actual band. I think we just got together more as a joke.” […]
Andrei Codrescu: Documenting Dada/Disseminating Dada Shambaugh Auditorium — Saturday, Feb. 18 at 7 p.m. Dada was a volatile artistic, social and political movement that exploded in 1916 from the Zürich club Cabaret Voltaire, creating reverberations that can still be felt today. Its fuse was lit by refugees from World War One who decamped to Switzerland, […]