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Show Preview: Daphne Willis with Mike Droho and the Compass Rose, Gabe's, 10/22/2010

When she decided to pursue music, earnest, soulful, acoustic-strummin’ pop singer Daphne Willis didn’t waste any time. At twenty, she taught herself the basics, started playing shows and quickly recorded a demo. Her powerful voice, catchy song-crafting and lyrics beyond her years caught the attention of Nashville-based Vanguard Records, which offered her (now 23) a record deal.

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Iowa City Weekender: October 21-23

THURSDAY

Phantogram w. Josiah Wolf | The Blue Moose Tap House | 6 p.m. | $12, all ages

Electronic/rock duo Phantogram is astounding. They’ve already gained notoriety in Iowa City for upstaging an Antlers headlining show at the Blue Moose Tap House. Now they return, as sure as ever, with their slick beats, lilting vocals, and sick guitar hooks to tear up Iowa City in their own right.

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Little Village vs. NaNoWriMo

November is National Novel Writing Month (NaNoWriMo) the annual, pseudo-masochistic event that challenges all-comers to write a 50,000 word (175 page) novel within 30 days.

Considering our unending references to Iowa City as a “City of Literature,” the Little Village crew decided it would be a great idea to, well, participate. Consider it our very special, unsolicited donation to Iowa City’s literary soup.

We’ve selected five writers within Little Village to write their own introductory paragraph(s) to a NaNoWriMo novel, but here comes the rub. Only one author’s submission will be expanded into a full novel throughout the month of November. What’s more, the remaining four writers will stick around to help co-author the Little Village NaNoWriMo project, and you’ll be able watch it all unfold right here. Call it literary chaos.

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Show Preview: Thunder Power at Gabe’s 10/14/2010

Don’t let the name mislead you; there is little “thunder” in this ensemble’s repertoire. Rather, the Omaha band’s “power” lies more in their generous, cascading melodies and subtly shifting harmonies. Instead of complicating and cluttering these already compact pop songs with studio witchcraft, Thunder Power draw on the beguiling arrangements of Bacharach or, more recently, the early ’00 works of Sam Prekop.

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